Sincerely Pandrea

"We do not grow absolutely, chronologically. We grow sometimes in one dimension, and not in another; unevenly. We grow partially. We are relative. We are mature in one realm, childish in another. The past, present, and future mingle and pull us backward, forward, or fix us in the present. We are made up of layers, cells, constellations.” -Anais Nin


Sincerely,
Pandrea

irisnectar:

Trina Merry 

“Do the living spaces that surround us own us or do we own them? There seems to be a sort of cohesive relationship built between animate and inanimate objects in the home” – Trina Merry (via

aestheticgoddess:

Janine Antoni, Loving Care, 1992
For this performance, named after the dye with which she colored her long hair before sweeping it across the gallery floor, Antoni combined hair-dyeing, cleaning and painting into a single action with multiple meanings

aestheticgoddess:

Janine Antoni, Loving Care, 1992

For this performance, named after the dye with which she colored her long hair before sweeping it across the gallery floor, Antoni combined hair-dyeing, cleaning and painting into a single action with multiple meanings
kissingdeadstars:

Untitled | via Tumblr on We Heart It - http://weheartit.com/entry/90635634

kissingdeadstars:

Untitled | via Tumblr on We Heart It - http://weheartit.com/entry/90635634


marina abramovic and crystal renn by dusan reljin for vogue ukraine, aug 14

marina abramovic and crystal renn by dusan reljin for vogue ukraine, aug 14

“Art is not just about another beautiful painting that matches your dining room floor. Art has to be disturbing, art has to ask a question, art has to predict the future.”

lapitiedangereuse:

Marina Abramović, “Rhythm 0,” 1974

Marina Abramović is best known for her performance pieces, in which she tries to explore what is possible for an artist to do in the name of art. Her best known piece was the recent “The Artist Is Present,” in which she sat motionless for 736.5 hours over the course of three months, inviting visitors to sit opposite her and make eye contact for as long as they wanted. So many people began spontaneously crying across from her that blogs and Facebook groups were set up for those people.

Her bravest piece, however, is my favorite. This piece was primarily a trust exercise, in which she told viewers she would not move for six hours no matter what they did to her. She placed 72 objects one could use in pleasing or destructive ways, ranging from flowers and a feather boa to a knife and a loaded pistol, on a table near her and invited the viewers to use them on her however they wanted.

Initially, Abramović said, viewers were peaceful and timid, but it escalated to violence quickly. “The experience I learned was that … if you leave decision to the public, you can be killed… I felt really violated: they cut my clothes, stuck rose thorns in my stomach, one person aimed the gun at my head, and another took it away. It created an aggressive atmosphere. After exactly 6 hours, as planned, I stood up and started walking toward the public. Everyone ran away, escaping an actual confrontation.”

This piece revealed something terrible about humanity, similar to what Philip Zimbardo’s Stanford Prison Experiment or Stanley Milgram’s Obedience Experiment, both of which also proved how readily people will harm one another under unusual circumstances.

This performance showed just how easy it is to dehumanize a person who doesn’t fight back, and is particularly powerful because it defies what we think we know about ourselves. I’m certain the no one reading this believes the people around him/her capable of doing such things to another human being, but this performance proves otherwise.

lapitiedangereuse:

Marina Abramović, “Rhythm 0,” 1974

Marina Abramović is best known for her performance pieces, in which she tries to explore what is possible for an artist to do in the name of art. Her best known piece was the recent “The Artist Is Present,” in which she sat motionless for 736.5 hours over the course of three months, inviting visitors to sit opposite her and make eye contact for as long as they wanted. So many people began spontaneously crying across from her that blogs and Facebook groups were set up for those people.

Her bravest piece, however, is my favorite. This piece was primarily a trust exercise, in which she told viewers she would not move for six hours no matter what they did to her. She placed 72 objects one could use in pleasing or destructive ways, ranging from flowers and a feather boa to a knife and a loaded pistol, on a table near her and invited the viewers to use them on her however they wanted.

Initially, Abramović said, viewers were peaceful and timid, but it escalated to violence quickly. “The experience I learned was that … if you leave decision to the public, you can be killed… I felt really violated: they cut my clothes, stuck rose thorns in my stomach, one person aimed the gun at my head, and another took it away. It created an aggressive atmosphere. After exactly 6 hours, as planned, I stood up and started walking toward the public. Everyone ran away, escaping an actual confrontation.”

This piece revealed something terrible about humanity, similar to what Philip Zimbardo’s Stanford Prison Experiment or Stanley Milgram’s Obedience Experiment, both of which also proved how readily people will harm one another under unusual circumstances.

This performance showed just how easy it is to dehumanize a person who doesn’t fight back, and is particularly powerful because it defies what we think we know about ourselves. I’m certain the no one reading this believes the people around him/her capable of doing such things to another human being, but this performance proves otherwise.


“If all cosmos were the same distance apart, gravity would pull them all in the same direction. They’d remain perfectly aligned, and precisely nothing would happen. Irregularity, imperfection, and lack of order in hydrogen compacts, atoms of gas gravitating away from each other, and compressed temperatures is what created our universe. Perfection in our galaxy simply does not exist. Without imperfection, neither you nor I would exist.” —Into The Universe with Stephen Hawking: ‘The Story of Everything’ 
Utilize this as an analogy next time attempt to undermine your self-worth caused by fallacious and subjective standards one must meet in order to attain aesthetic appeal. Symmetric cannot be created if its source is asymmetric.

“If all cosmos were the same distance apart, gravity would pull them all in the same direction. They’d remain perfectly aligned, and precisely nothing would happen. Irregularity, imperfection, and lack of order in hydrogen compacts, atoms of gas gravitating away from each other, and compressed temperatures is what created our universe. Perfection in our galaxy simply does not exist. Without imperfection, neither you nor I would exist.” —Into The Universe with Stephen Hawking: ‘The Story of Everything’ 


Utilize this as an analogy next time attempt to undermine your self-worth caused by fallacious and subjective standards one must meet in order to attain aesthetic appeal. Symmetric cannot be created if its source is asymmetric.

america-wakiewakie:

Running on E

america-wakiewakie:

Running on E

Fausmates.

Fausmates.

Stunner.

Stunner.